Name :
Mia Rahayu
NPM :
1223088
Class : A.4.3
Title: The Viscount Who Loved Me
Author: Julia Quinn
Among the keepers I couldn’t part
with when it was time to Thin the Collection of Dusty Romances Prior to Moving
were most of my Julia Quinn novels, and many of the Nora Roberts’. I did toss
half the Roberts because I never go back and reread them. In fact, I suspect
that much of the reason I kept them in the first place is that I often buy
Robert’s books (because you know she needs the royalties, NOT) and I feel so
bad about spending $7.00 or more on a freaking paperback that I figure I ought
to keep it - almost like wearing a shirt you paid too much for as often as you
can to “get your money’s worth.” There are a few Roberts novels I go back and
reread.
But the Julia Quinns? I reread them
all the freaking time. They’re the romance equivalent of chocolate chip
cookies, chicken soup, macaroni and cheese, cupcakes - comfort foods of which I
haven’t met a single example that I would turn down. Quinn’s books,
particularly the early Bridgertons, are light, funny, friendly books, with
interesting characters facing unique situations, and story lines that come
close to falling onto established cliches then yank backwards into originality.
Quinn seems to sit with a deck of “character cliche” cards and plays with
scenes so she can turn each one on its ear. She’s even delved in other novels
into rewriting fairy tale stories in Regency settings, and used little-seen
plot devices, like impoverished noblemen looking to marry American heiresses.
Quinn novels for me are like comforting stories I’ve read a million times and
liked, but I go in knowing that the comforting elements will be redealt into
original patterns that I haven’t seen before.
So pass me a Bridgerton cupcake, and let’s look at the last one I
reread.
The Viscount Who Loved Me is the
story of Anthony Bridgerton, the Viscount of the title, and Kate Sheffield.
It’s the second in the Bridgerton series, after The Duke and I, which is
probably my favorite Quinn and is the story of Anthony’s younger sister Daphne.
Daphne, being a girl, would marry before her older brothers, if one follows the
standard age timeline of the Regency period, where debs marry titled gentlemen
10 or so years their senior, so it makes perfect sense that Daphne is first,
then Anthony.
Anthony assumed the title upon the
sudden death of his father, whom he adored. The Bridgertons enjoyed an
abnormal-for-the-time family relationship, with all the children in the
household seen, heard, and spoken with by their parents at all times. The
Bridgerton children don’t hide in the nursery until they come of age; they are
part of the family from the beginning, and as the eldest, Anthony enjoyed a
marvelous relationship with his mother, and his father.
When a bee sting kills his father
instantly, Anthony, 18 years of age at the time, is left devestated and utterly
convinced that he cannot ever think to surpass his father in any way, including
age. He assumes the mantle of responsibility with appropriate gravity and
seriousness, and sets to helping his mother raise his seven brothers and
sisters. Understandably, Anthony matures into a very serious, emotionally quiet
man, and after seeing his sister Daphne married off, decides it is time he
found a wife, sired an heir, and ensured the inheritance of the title before
his demise, which he remains convinced will be at his 38th year.
His requirements are simple: must be
attractive, relatively intelligent (can’t have stupid heirs, after all), and
not anyone with whom he has the remotest chance of falling in love with. Oh,
the mighty, how they fall.
Upon querying his younger brothers,
Colin and Benedict (have I mentioned, as a reviewer of this series ought, that
the Bridgertons are named in alphabetical order? Indeed, they are!), who the
“diamond of the season” is that year, he decides to marry said diamond, a
lovely young woman named Edwina Sheffield.
The problem is, of course, Edwina’s
stepsister, Kate. Edwina announced that she would not marry without her
sister’s approval, and so all the foppish dunderheads of the ton, including
Baron Dunderhead himself (I’m kidding) waltz poor Kate around the dance floor,
hoping to make a fair enough impression to be allowed to continue courting
Edwina.
This is the point at which I find
one of the many reasons I love Quinn’s books: unique twists on common
situations. Consider Edwina and Kate.
Edwina is gorgeous. Perfect in every
flawless way, a vision to behold, in fact. She’s also kind, clever, smart, and
adores her sister. Kate you might expect to be jealous, bitter, and spiteful
towards her beautiful younger stepsister. In fact, Kate had to delay her own
coming-out because her family could only afford one season for the both of
them. So Kate is edging towards spinsterhood while Edwina came out in her
prime. It would be passing easy for an author to make Edwina stupid or spiteful
or self-centered and nasty. But she’s not. It would be equally easy for Kate to
be mean, petulant, and suffering from deep and unmanageable self-esteem issues
because of her incredibly good looking stepsister, with whom she must attend
functions and alongside whom she must seek a husband. But she is not.
In fact, Kate and Edwina are
genuinely friends as well as sisters. Just as the Bridgertons are a delight to
read about for their close family relationships, Kate and Edwina aren’t
annoyingly frought with sibling rivalry. It’s true that Kate cannot stand empty
headed compliments comparing her with her sister, it’s not just because they
hurt her feelings and cause her to become a green-eyed monster of fury and
plots for revenge. It’s because she knows the person offering the compliment is
so full of shit his eyes are brown. Kate is attractive, but Edwina is stunning,
and she knows it. Foppish liars are stupid and not to be tolerated.
After Anthony sets his future on the
shoulders of Edwina, hilarity ensues. Forced to interact with Kate more and
more frequently, he realizes he is attracted to her, even as she gets under his
skin in ways he would rather not think about. In turn, Anthony bugs the hell
out of Kate, particularly as he begins his address of her sister by doing the
one thing she cannot respect: comparing her to her sister.
The relationship between Kate and
Anthony during their courtship is satisfying for so many reasons. First, the
sparks, oh, how they fly. One of the reasons I like Quinn’s writing is that her
character development rests mainly on dialogue, which I love, and so the
conversations between Kate and Anthony reveal each individual, their
relationship, and, as witnessed by the reader, their increasing feelings for
one another. It’s not just “I hate you!” “No, I Hate YOU!” though there is some
fighting involved. The bickering between them isn’t stupid; often it’s part of
the larger sibling banter that involves his family, especially when one or more
brothers are at a ball with them, and it slides back and forth between
meaningful conversation that reveals much, and snide comments that spark equal
replies in the other.
Further, there’s no lightning bold
of “Holy Crap I’m in Luuuuuurve (tm)!” Anthony might wander around a bit too
much cursing about his growing feelings for Kate, but he also is forced to
acknowledge them, which I appreciate as a reader. The development of his
feelings is a gradual increase that the reader can see, and the same is true
for Kate, though her feelings also conflict with her regard for her sister,
whom she knows is the real object of Anthony’s attention. Being jealous of her
sister is a feeling that doesn’t sit well with Kate, though one wonders that
she hasn’t deep down had more practice.
So if I’m so high over the moon
about Julia Quinn novels, and I keep and reread them all the time, what are the
flaws of this book, and why did I give it only a B+?
Candy and I once discussed our
grading rubric, and what the lowest cutoff point grade would be for a “keeper”
book. We both agreed that it was probably B+ and above. This book, while I love
to reread it, suffers from some flaws that make it delicious for the first half
and “ok, time to finish this book” for the second. And that’s what keeps it
from getting in to the A-territory.
As I mentioned previously in another
brief rumination, the hero and heroine get married just past the middle of the
book. And this is a serious let-down for me. For one thing, the conflict
between the hero and heroine is largely resolved by marriage - you know they
aren’t going to split up, and though you know they will ultimately end up
together when you start reading the book, to have them get married in the
middle, without some major force of division overhanging them, just pushes the
happily ever after too far forward for my tastes.
Further, I knew what the forces
acting against the hero and heroine were, and they were largely personal demons
that each has to face. I knew they’d face their problems and I knew they’d grow
as characters, but to have one half of the expected conclusion neatly sewn up halfway
through makes the rest of the book, for me, a bit of a drag. I know what’s
going to happen. It’s a romance: there will be a happily ever after. That’s why
I like them so much. I know there’s a happy ending. So if you locate the happy
ending somewhere that isn’t an ending, it cheats me, because I know what to
expect and know that no major forces of division will really and truly come
between the heroine and the hero before the end of the book. Sure, she might
get really pissed off and leave for a time, but without that ironclad security
of marriage in the Regency time period, coupled with a lot of hot, sweaty
coupling, a LOT more can happen between the couple to make their happily ever
after seem more tentative.
Further, their personal demons
served as part of the reason they were brought together, as it was something
they had in common. But the problem with personal demons on the part of both
hero and heroine is that they are personal - it’s not like she can crawl inside
his knotty little brain and straighten that mess out. It’s not a question of
behavior or overcoming a trauma to Looove and Trust again. The nature of their
personal problems goes a bit deeper, but it’s a place of depth that exists in
the character’s minds. So can one really help the other, aside from holding a
hand and biting lips in an empathic fashion? Not so much.
The resolution of the novel was the
problem for me: they got married, were forced into close quarters and had lots
of sex, yet had to remain separate protagonists when it came to facing their
own demons. They each earned their own happily ever after, but did they earn
one together? I can’t really answer, because the sum of their relationship with
one another was tabulated for them by the circumstances under which they married.
However, I do like Kate and I like
Anthony, and while the denouement and resolution of the book is a let-down, the
scenes with Kate and Anthony, and with Anthony’s family, are marvelous and
wonderful and make me, the reader, a happy happy re-reader. It’s not so much
that I have to read the entire story over and over again, though once I start a
re-read I usually end up reading the whole story. It’s more the scenes and
smiles I miss from particular segments of the story that I want to revisit,
particularly the characters who I liked a great deal, like Daphne, her husband
Simon, and Anthony’s other brothers and sisters. I like to visit this book
frequently for the specific parts I remember fondly. So back on the keeper
shelf it goes.
Name :
Anita Nola
NPM :
1223086
Class : A.4.3
BLACK ICE
BY ANNE STUART
Someone
had made a very grave error in sending the young woman into the lion’s den,
Bastien thought. She was far from the accomplished operative needed to
work in such an intense situation. He’d known within seconds that she
understood every language spoken in the room, and probably more besides, and
she hadn’t been that good at hiding it. If it had taken him mere moments,
it wouldn’t take some of the others much longer.
The
question was, who had sent her, and why? The most dangerous possibility
was that she’d come to ferret out his identity. As far as he knew no one
suspected him, but one never took anything for granted. The part he was
playing was a dedicated womanizer – sending a nubile young female into the mix
was the perfect bait, like staking a young deer in the jungle to lure a hungry
panther. If he went for her he’d be playing true to form.
She
was dangerously inept. That veneer of sophistication was wafer thin – one
look in her brown eyes and he’d been able to read everything.
Nervousness, shyness even, and an unwanted spark of sexual attraction.
She was in way over her head.
Then
again, she might be much better than she appeared to be. The hesitant,
slightly shy demeanor might be all part of the act, to put him off the scent.
Had
she come for him, or someone else? Was the Committee checking up on his
performance? It was always possible – he hadn’t bothered to hide the fact
that he was weary beyond belief, no longer giving a damn. Life or death
seemed minor distinctions to him, but once you went to work for the Committee
they never let you go. He’d be killed, and probably sooner rather than
later. Mademoiselle Underwood, with her shy eyes and soft mouth might be
just the one to do it.
And
there was only one question. Would he let her?
Probably
not. He was jaded, burned-out, empty inside, but he wasn’t about to go
quietly. Not yet.
On
the surface his mission was simple. Auguste Remarque had been blown up by
a car bomb last month, the work of the covert, anti-terrorist organization
known, by a very few, as the Committee. In fact, the Committee had
nothing to do with it. Auguste Remarque was a businessman, motivated by
nothing more than profit, and the powers that be in the Committee could
understand and adjust for that. All they’d had to do was keep an eye on
Remarque and the cartel, keep abreast of who was shipping what, where, and make
their own pragmatic choices as to when to interfere. A shipment of
high-powered machine guns to certain underdeveloped countries in Africa might
lead to civilian deaths, but the greater good had to be considered, and those
poor countries had little of interest to the super-powers. Or so Harry
Thomason had told him.
Of
course, Bastien knew why. Those countries had no oil, and they were of no
importance to the Committee and its powerful, private backers.
It
had been Bastien’s job to keep tabs on the arms dealers, posing as one of them.
But Remarque’s assassination had changed all that. Hakim, Remarque’s
right hand man, had set up this meeting, and they were looking at re-dividing
the territories and choosing a new head. Not that these were people who
played well with others, but the leader of the cartel also took care of the
tiresome business details, leaving the others to concentrate on the acquisition
and shipment of the most dangerous weapons yet devised.
Hakim
had been in charge of the petty details, but he’d gotten a little too
ambitious. He wanted to take Remarque’s place, including taking his
lucrative territories. And there lay the problems. Through decades
of dealing, assassination and bribery, the late Auguste Remarque had controlled
most weapons shipments for the middle east, in inexhaustible market.
Areas
like Chile, Kosovo, Northern Ireland and the cults of Japan might ebb and flow
in their desire for weapons, but the middle east never got enough. And
since America had waded into the fray, time and time again, with bludgeoning
attempts at control, things had only gotten worse.
The
members of the cartel wanted a fair share of those lucrative profits. And
Hakim was disposable.
Bastien
was in no hurry to see things played out – he could spend a day or two watching
and waiting. The members of the cartel had learned, one by one, that
Hakim had been responsible for Remarque’s assassination, and it didn’t sit
well. Someone would dispose of him in the next few days, and if they
failed it would be up to Bastien.
It
had been interesting to subtly spread the word about Hakim’s treachery.
The various reactions of the main players had been interesting indeed because,
in fact, Hakim hadn’t been behind Remarque’s death, even though he was entirely
willing to benefit from it.
One
of the other entrepreneurs had been behind the hit. And was
probably delighted that someone else had been been fingered, but so far they’d
been unable to discern who had actually done it. Conventional wisdom
suggested Baron von Rutter. Beneath his jovial exterior he was a brusque,
impatient man and he’d made his way more by bullying tactics than
finesse. Not to mention his equal partner, his younger wife Monique.
The
operative who occasionally posed as Bastien’s wife had put her money on Mr.
Otomi the reserved, elderly Yakuza boss, and Ricetti was a good possibility
with his mafia connections. And one could never discount Madame Lambert.
Any
of them were capable and willing, and if any of them had ordered the hit then
the Committee would not be alarmed.
Only
the last of their little group would prove a real problem. Christos
Christopolous was, on the surface, merely a minor player. The Greek
connection had always been low-key, but Bastien was paid to be untrusting. And
in the eleven months he’d lived as Bastien Toussaint he’d learned that Christos
was the most dangerous of them all. He was the one who was most likely to
have arranged for Remarque to be blown up in a car bomb, along with his wife,
daughter, and three young grandchildren.
Thomason
had taken his word and set the assignment. Hakim was to die – the hit on
Remarque couldn’t have been accomplished without his assistance.
And
if Christos was chosen to lead the cartel, he too must die. The others
were more manageable – the Greek wasn’t.
Maybe
he wouldn’t get chosen, and Bastien could once more vanish into the obscurity
of another name, another nationality, another mission on some other
continent. Not that it mattered – they all seemed to be the same, the
good guys and the bad buys interchangeable.
One
thing was certain, he wasn’t going to be able to do a damned thing if the
innocent little newcomer stuck a knife between his ribs.
He
had no illusions that was on his own here, or had ever been. Signor Ricetti's
young male lover was Jensen, a young British operative who told his wife he
traveled a lot as a pharmaceutical sales representative.
Jensen
could take him out if that was Thomason’s plan, but he’d have a harder job of
it than the girl. If they really wanted to get rid of him they needed
someone a little more knowledgeable to do it.
Someone
a little more adept than sweet Mademoiselle Underwood.
She
was either there for him or for one of the others. Maybe just to gather
information, maybe to dispose of an unwanted player. He had only to say
something to Hakim and she would be the one they disposed of. Even if
Hakim himself had hired her, she would be wiped out neatly and efficiently.
He
wasn’t quite ready to do that, even if it was the safest route. He hadn’t
been drawn into this business with the lure of safety, and Mademoiselle
Underwood might offer more value alive than dead. He would find out who
sent her and why, and the sooner he found out the better. Careful
planning was important, but hesitation was disastrous. He would find out
what he needed to find out, then drop a word in Hakim’s ear. It would be
a shame to have such a promising young life snuffed out, but she would have
known the dangers when she signed up for this job. And he’d lost any
trace of sentimentality long ago.
He
just wished to Christ that he knew why she was there.
Chloe
was feeling slightly giddy. She slept deeply for a couple of hours,
curled up under a thin silk coverlet, she’d bathed in a deep warm bath perfumed
with Chanel, she’d dressed in Sylvia’s clothes and put Sylvia’s makeup on her
face. It was a few minutes before seven, and she’d have to slip her feet
into the ridiculously high heels and glide downstairs like the soignée creature
she was pretending to be.
The
undergarments had begun the sensory overload. Chloe wore plain white
cotton. Her taste ran to lace and satin and deep, bold colors, but her
pocket book did not, and she’d spent her clothing euros on things that would be
seen.
Sylvia
spent a great deal of time in her underwear, seldom alone, and her wardrobe of
corselets, panties, demi-bras and garter belts came in a rainbow of colors, all
made to be enjoyed by both the wearer and her audience. Chloe wasn’t
currently planning on an audience, not here, not now. Bastien Toussaint
might be distracting, but Chloe had no interest in married men, womanizers, or
really, anyone at all until she got back to Paris. This job was supposed
to be a piece of cake, a leisurely few days in the country translating boring
business details.
So
why was she so damned edgy?
Probably
just M. Bastien, with his bedroom eyes and his slow, sexy voice. Or maybe
it was the combined suspicion of the guests – they must be dealing with
something very powerful to be so paranoid. Though in Chloe’s experience
most people thought their concerns to be a life-altering proportions.
Perhaps they held the formula for a new type of fabric. The shoe designs
for next season. The recipe for calorie-free butter.
It
didn’t matter. She would remain in some unobtrusive corner, translating
when called upon to do so, hoping no one else was going to say anything
embarrassing in a language she wasn’t supposed to understand. Though it
would help matters if she had her own wardrobe – Sylvia’s clothes were not made
to be unobtrusive.
Maybe
she could just plead a headache, crawl back into bed and deal with things
tomorrow. As far as she knew she wasn’t on call twenty-four seven, and
tonight was supposed to be more of a social occasion. They wouldn’t need
her, and she didn’t need to be around people who were drinking enough to be
even more indiscreet than they had this afternoon.
Then
again, it probably wouldn’t be a bad idea to find out why they were so
paranoid. If she didn’t like the answer she could simply announce that
she had to return home. Monsieur Hakim had insisted that she wasn’t
really needed, and she expected they would muddle through even without a common
language. In the end, her peace of mind was more important than the generous
daily stipend.
Then
again, seven hundred euros could buy a little mental discomfort quite easily,
and she was seldom a coward. She would go downstairs, smile charmingly,
drink just a little wine, not enough to make her indiscreet, and keep her
distance from Bastien Toussaint. He unnerved her, both with his dark,
unreadable eyes and his supposed interest in her. For some reason she
didn’t quite believe it. She was not an unattractive woman, but she was
scarcely in his league – he was the type for supermodels and millionaires’
daughters.
It
didn’t help that when she opened the door he was waiting for her.
He
glanced at his thin watch. “A beautiful woman who shows up on
time,” he said in French. “How delightful.”
She
hesitated, uncertain what to say. On the one hand, the faint trace of
irony in his voice was unmistakable, and Chloe knew that while she was
attractive enough, beautiful was a bit too generous, even with the benefit of
Sylvia’s wardrobe. But arguing with him would seem coy, and besides, she
didn’t want to spend any unnecessary time in the cavernous, shadowy hall with
him.
He
was leaning against the window opposite her doorway, and the formal gardens
stretched out beyond, surprisingly well-lit for that hour of the night.
He’d been smoking a cigarette, waiting for her, but he pushed away from the
window and came towards her.
She
thought she’d gotten used to how graceful some French men could be. For a
moment she was distracted by his body, then mentally slapped herself.
“Were you waiting for me?” she said brightly, closing the door behind her
when she actually wanted nothing more than to dive back into her room and lock
it.
“Of
course. I’m just down the hall from you, on the left. We’re the
only ones in this wing of the house, and I know how turned around one can
get. I wanted to make sure you didn’t stumble into any place you
shouldn’t be.”
Again,
that faint hint of something wrong. Maybe she was the one who was
paranoid, not Hakim’s guests. “I have a fairly good sense of
direction.” A flat out lie – even with a detailed map she inevitably took
wrong turns, but he didn’t know that.
“You’ve
lived in France long enough to know that French men like to think of themselves
as charming and gallant. It’s hard-wired into me – you’ll find me shadowing
you when you least expect it, offering to bring you coffee or a cigarette.”
“I
don’t smoke.” The conversation was making her more and more uneasy.
Complicated by the fact that looking at him, the dark, opaque eyes, the lean,
graceful body was leaving her far from unmoved. Why did she have to be
attracted to someone so … wrong? “And how do you know I’ve lived in
France a long time?”
“Your
accent. No one speaks that well if they haven’t lived here for at least a
year.”
“Two,
actually.”
It
was just the faintest of smiles. “You see? I have an instinct for
such things.”
“I
don’t need anyone to be charming and gallant,” she said, still
uneasy. Not only did he look good, but the damned man smelled good
too. Something subtle, luscious, beneath the lingering scent of
tobacco. “I’m here to do a job.”
“So
you are,” he murmured. “That doesn’t mean you can’t enjoy yourself
while you do it.”
He
was making her very nervous. By now they were walking down the hallway,
in and out of the shadows. She was used to the continental art of
flirtation which was usually nothing more than an extravagant show. And
she knew this man to be a womanizer – he’d said so himself in a language she
wasn’t supposed to understand. It was expected that he do just this.
Unfortunately
she didn’t want to play the game, not with him. He wasn’t someone to
flirt with and then dance away, despite the practiced charm. She couldn’t
rid herself of the notion that he was something else entirely.
“Monsieur
Toussaint…”
“Bastien,”
he said. “And I will call you Chloe. I’ve never known a woman named
Chloe before. I find it quite charming.” His voice slid over her
like a silken caress.
“Bastien,”
she capitulated. “I really don’t think this is a good idea.”
“You
are already involved with someone? That doesn’t need to make any
difference. What happens here stays here, and there’s no reason why we
can’t enjoy ourselves,” he said smoothly.
She
wasn’t sure how she’d react if he were someone else. She knew how to
extricate herself from unwanted situations, though they didn’t crop up as much
as she might have hope. The unfortunate fact was, she was both attracted
and afraid of him. He was lying to her, and she had no idea why.
She
halted. They had managed to reach the more populated part of the
renovated chateau, and she could hear the voices, an amalgam of French and
English, from beyond the double doors. She opened her mouth, not sure
what she was going to say, what kind of argument she could come up with, when
he spoke.
“I’m
very attracted to you, you know,” he said. “I don’t remember when
I’ve been quite so charmed.” And before she realized what he intended
he’d put his hands on her, moving her back against the wall, and proceeded to
kiss her.
He
was very good, she thought dazedly, trying not to react. His hands were
touching her, his mouth the merest whisper against her lips, and without
thinking she closed her eyes, feeling his kiss brush against her cheekbones,
her eyelids, then down to her mouth again, clinging slightly, then moving on,
down the side of her neck.
She
didn’t know what to do with her hands. She ought to reach up and push him
away, but she didn’t really want to. The soft, feathering kisses simply
made her want more, and since this was definitely going to be the only time she
let him kiss her then she ought to experience the entire experience.
So
when he moved his hands from her waist to cup her face, and when he pressed his
mouth against hers, harder this time, she opened for him, telling herself that
one little taste of forbidden fruit was all right. After all, it was
France. Vive l’amour.
But
just as she was about to let herself sink into the pleasure of it, nasty little
warning bells stopped her. He was oh, so adept. He knew how to
kiss, how to use his lips, his tongue, his hands, and if she were just a little
bit stupider she’d be awash with desire.
But
something wasn’t right. It was a performance that even she could see
through. He was making all the right moves, saying all the right things,
but some part of him was standing back, coolly watching her response.
Her
hands, which were just about to clutch his shoulders, instead pushed him
away. She used more strength than she needed to – he made no effort to
force her, he simply fell back, that faint amusement on his face.
“No?”
he said. “Perhaps I misread the situation. I’m very attracted to
you, and I thought the feeling was mutual.”
“Monsieur
Toussaint, you are a very attractive man. But you’re playing some kind of
game with me, and I don’t like it.”
“Game?”
“I
don’t know what’s going on, but I don’t believe you’ve developed a sudden,
uncontrollable passion for me.” Sylvia was always chiding her for being
so outspoken, but she didn’t care. Anything to upset the smooth, beguiling
lies of the man who was still standing too close to her.
“Then
I’ll have to work harder to convince you,” he said, reaching for her
again.
And
fool that she was, she might have let him, but the door to the drawing room
opened and Monsieur Hakim appeared, glowering.
Bastien
stepped back, in no particular hurry, and Hakim’s expression darkened
further. “We wondered where you were, Mademoiselle Underwood. It’s
half past seven already.”
“I
had trouble finding my way here. M. Toussaint was kind enough to guide
me.”
“I’m
certain he was,” Hakim grumbled. “The Baron is waiting for you,
Bastien. And behave yourself – we have work to do.”
“Bien
sur,” he said, flashing an ironic smile in her direction as he moved past
Hakim.
Chloe
started to follow, but Hakim put a strong hand on her arm, halting her.
“You need to be warned about Bastien,” he said.
“I
don’t need to be warned. I know his type very well.” Not true, she
thought. He was trying to convince her he was a certain kind of man –
sophisticated, charming, flirtatious and totally without morals. And he
was that kind of man – she had no doubt of that. There was just something
more, something darker inside, and she couldn’t figure out quite what it was.
Hakim
nodded, though he was clearly unconvinced. “You are very young,
Mademoiselle Underwood. I feel I am in a fatherly position, and I would
not like to see anything unfortunate befall you.”
It
was his over-formal English that made it sound threatening, of course.
Not any real danger. But that uneasy little shiver slid down her
backbone, and she wondered if she’d made a very really mistake in taking
Sylvia’s place. Adventure, luxury and money were all very nice things,
but not at too high a price. And remembering the feel of Bastien Toussaint’s
practiced mouth against her, she was afraid she’d already gotten herself into
too much trouble.
Because
she wanted to see what it would be like if he really kissed her. Not a
performance, meant to dazzle her. But something he wanted as much as she
did.
And
she was out of her mind, she thought, moving past Hakim into the library, in
time to see Bastien in close conversation with one of the women she’d seen
earlier. The Baron’s wife, who seemed far too friendly with someone who
wasn’t her husband, with her beautifully manicured hand on his Armani-clad arm,
her perfectly made-up face tilted toward his. Chloe took a glass of
sherry from the waiter and moved to a seat by the open doors, looking out over
the brightly-lit gardens, away from Bastien and his more amenable
partner. The jumble of languages was at first indecipherable, and she
didn’t want to listen. It was like eavesdropping, and she was already
uncomfortable with what she’d overheard earlier.
But
then she realized they were politely speaking only French and English, and
anything she heard was far from secret, and she relaxed back against the wing
chair.
Only
to see Bastien and the woman slip outside, into the shadows. Which would
have been difficult enough, if he hadn’t paused at the last minute to look
directly into her eyes, and he gave her a faint, rueful shrug.
“Miss
Underwood.” The elderly Baron sank down beside her, wheezing
slightly. “It looks like we’ve been abandoned. Now why did such a
pretty young thing like yourself want to spend days locked away with such
tiresome old capitalists like ourselves? Surely you must have had better
things to do in Paris? Some young man waiting for you?”
She
smiled at him, willfully forgetting the couple that had just disappeared.
“No young man, monsieur. I live a very quiet life.”
“I
don’t believe it!” he said. “A young girl as pretty as you
are? What has happened to young men nowadays, that someone like you
should be unattached. If I were forty years younger I’d go after you
myself.”
She
roused herself to play the game. “Surely not forty!” she said
lightly.
“I’m
thirty years older than my wife, and even that is a bit of a strain.
Which is why I give her a lot of room to entertain herself.”
Chloe
blinked. “That’s very generous of you.”
“Besides,
what can she and Bastien do out on the terrace with so many people wandering
around. An indiscreet caress, a kiss or two? In the end it only
sharpens the appetite.”
“I
beg your pardon?”
“I
saw you watching them. Bastien is fine for someone like my wife, who
knows how the game is played and expects nothing but immediate
gratification. He’s not for an innocent like you.”
He was the second man to warn her away in the last ten minutes. Little did they know that she hadn’t needed the warning – her own defenses had popped up just in time. “I am here to translate, Monsieur,” she said brightly. “Not to indulge in dangerous flirtations.”
He was the second man to warn her away in the last ten minutes. Little did they know that she hadn’t needed the warning – her own defenses had popped up just in time. “I am here to translate, Monsieur,” she said brightly. “Not to indulge in dangerous flirtations.”
“I
hope you don’t count me as one of those dangerous flirtations,” he
said. “Or perhaps I do. No one considers me very dangerous any
more.” He sounded mournful.
“I’m
certain you’re a very dangerous man indeed,” she said in an encouraging
voice.
His
smile was almost beatific. “Bless you, my child. You may actually
be right.”
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